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如在雨中渙散開來,醉了、茫然了
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如在雨中渙散開來,醉了、茫然了
Author:
肅清14
ISSUE #13
#13 暮至臺北車停未/讀後感
莫約花了一個下午讀完這本國二時得到的散文集,講述本島短短的遷移史與其父母的戀情,在七十年代的氛圍下小人物的血淚,在書中最能感受到「愛」的並不是主角阿興與阿梅的故事,真正讓人感到欣慰的是阿梅的父親對阿梅的愛,雖說不善言辭卻總是捧著他女兒,阿梅高燒時送上來的蘋果、阿梅當上護士所需的一只洋錶,相較於作者父親阿興的困窘阿梅可謂是有溫暖的依靠,這份情緒卻因自己的夢想填塞至孩子所打斷,這份愛實在晦澀難懂,作者經歷過的事——為了父母的夢想而活——仍在我們周遭一再上演,屆時我憶起「今日跳舞不打仗」的狐步舞,我們這世代所受的憋屈是否又因此壓迫到下一代 ,至始至終如狐步舞一般無起也沒有終止生生不息的循環。至於裡頭的故事阿興和阿梅碰頭的部分沒多著墨,兩人各自的事情倒是描寫得詳細,雖然未多描寫大時代氛圍仍可從兩人的生活窺探那諸多的不得已,整本書語句流暢、明快卻有些空虛,如《流》給我的印象類似高高舉起後便輕輕放下,這情緒淡然如輕羽輕輕毯過身、心、靈,然不著痕跡地化散掉了。至於書中引用到《台北謠言》的攝影作品,不忍說若想親身走入七十八十年代的台灣不妨去看看這本書,作者也曾懷著台北夢,猶如絮絮紛飛的蒲公英落到了台北就此紮根,已他的鏡頭記錄下泛黃的舊街景、浮華糜爛的城市情境,那些回不去卻也會揮不去的舊城之夢。ns216.73.216.133da2
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