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親愛的K
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那個夜晚,藝術中心的落地玻璃像一面冷靜的單向鏡。室內音樂,在玻璃表面製造出輕微的顫動,我與K的影子因此微微飄移。彷彿一場即興的光學辯證。
詩歌究竟屬於紙頁,還是屬於空氣?
那晚的燈確實是暗的。但很奇怪,在昏暗裡,事物反而獲得了另一種維度的清晰。就像本雅明在《機械複製時代的藝術作品》裡說的:靈光(aura)的消逝,恰是感知重組的開始。當文字脫離紙張,被朗誦、被吟唱、被肢體重新編碼,它就不再是符號的囚徒,成為流動的事件。
我們的指尖不經意在身旁碰觸時,「我」與「K」的邊界開始溶解。
是誰先釋放好感訊號已不重要。重要的是約會正在發生。
Total Reading Time: 3 minutes
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