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寫作交流討論 | Penana
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簡潔還是堆疊
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面具
#7
面具認為某些角色他的對話與表情可能不多(個性所致),所以只能用內心戲的旁白去寫他的感受。
身為喜歡寫內心戲大於劇情推動的面具來說,角色的塑造比劇情的推進更重要。因為我相信所謂的故事發展是由小說的人物自己走出來的,有時候我根本不是在創造劇情,只是在記錄主角的人生故事。
當然這樣的寫作有很致命的缺點,就是廢話(非人物對話)太多了,劇情走得非常慢,導致很多讀者看不下去。
不過以上是長篇才會這樣,面具的短篇反而會寫的超級精簡,幾乎沒有什麼內心戲,全盤皆用對話、動作與某些特定畫面完成作品。
所以綜合來看,面具覺得還是看寫作情形吧,或是看自己的心情(笑
5 years ago
朱諾(Juno)
@面具, Hmm 大家喜歡的都不同呀 我也喜歡內心戲 感覺沒有內心戲就少了一味?
劇情慢的+1 讀者只能隨緣
不過短篇精簡、長篇堆疊是可以確定的
5 years ago
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身為喜歡寫內心戲大於劇情推動的面具來說,角色的塑造比劇情的推進更重要。因為我相信所謂的故事發展是由小說的人物自己走出來的,有時候我根本不是在創造劇情,只是在記錄主角的人生故事。
當然這樣的寫作有很致命的缺點,就是廢話(非人物對話)太多了,劇情走得非常慢,導致很多讀者看不下去。
不過以上是長篇才會這樣,面具的短篇反而會寫的超級精簡,幾乎沒有什麼內心戲,全盤皆用對話、動作與某些特定畫面完成作品。
所以綜合來看,面具覺得還是看寫作情形吧,或是看自己的心情(笑
劇情慢的+1 讀者只能隨緣
不過短篇精簡、長篇堆疊是可以確定的