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香港小說家聚腳地 | Penana
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香港市場
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阿雀
#1
我識得十個有十一個寫故人都話自己隻故吾岩香港市場,所以想知道大家對香港市場有咩睇法?例如香港人既口味、鐘意既類型等等,純粹討論一下。
5 years ago
筆言
@季候鳥, 市場生態有問題,行業紅底嘅向大陸靠,唔紅嘅向台灣日本靠,無出版社夠財力養自己嘅作者,就自然無穩定嘅香港作品,好多新生作者出一本就88, 無野留低畀後來者參考,讀者睇埋外國嘅文學,學到4 不象咁,拎唔到香港嘅特色,香港文學就咁樣惡性循環
5 years ago
阿雀
@筆言, 我承認我係其中一個4不像😂不過其實咩係香港特色?如果話獅子山精神果類,好明顯就吾係我地年代
5 years ago
筆言
@季候鳥, 香港特色要拉番去8090年代,例如金庸帶起嘅武俠。西西嘅意識流文學,余光中嘅沙田文學,仲有衛斯理嘅科幻等等,都係香港嘅特色。
但去到千禧年代就無以為繼,就無晒呢類香港本土生長出嚟嘅香港文學,從而變到依家咁左抄右抄嘅四不象。
強國嘅文化入侵真係好強,無孔不入,上至高層,下至小學生讀物,都被強國入侵得好西利。令到香港無人識欣賞香港文學。
5 years ago
阿雀
@筆言, 不過特色尼家野吾係話有就有,而且的覺得宜家所謂既「香港特色」其實好空泛而且某程度上同時代脫節左。老一輩只會懷舊🙈
5 years ago
橋街過客
@季候鳥, 我嘅印象係咁:
男性向:用廣東話寫,對白多,敘述段落短,本土化(地點用返hk,架空或奇幻似乎唔係好受),甜故或驚悚題材。
女性向:覺得女仔都係睇返傳統言情小說,變化好似唔多(我覺得無論總裁小說同穿越轉生言小本質都差唔多)(似乎無特別鐘意睇返香港作者,台灣書大陸書都對胃)。
金庸、衞斯理係咪無以前咁多人睇?
5 years ago
阿雀
@橋街過客, 我睇既主要係翻譯小說,日本話者歐美。言情小說項吾順🤦🏻♀️
男仔我就吾知(身邊比較少男仔睇書
5 years ago
橋街過客
@季候鳥, 我都係睇歐美日多0w0
5 years ago
阿雀
@橋街過客, 睇尼我地可以做朋友(灬ºωº灬)♡你有冇特別鐘意既作者?
5 years ago
橋街過客
@季候鳥, 特別喜歡的作者好似算唔上有,主要都係睇返題材有無興趣。
5 years ago
阿雀
@橋街過客, 我主要睇簡介吸吾吸引到我,不過有時見到特定作者都會想睇,例如伊坂幸太朗。
5 years ago
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但去到千禧年代就無以為繼,就無晒呢類香港本土生長出嚟嘅香港文學,從而變到依家咁左抄右抄嘅四不象。
強國嘅文化入侵真係好強,無孔不入,上至高層,下至小學生讀物,都被強國入侵得好西利。令到香港無人識欣賞香港文學。
男性向:用廣東話寫,對白多,敘述段落短,本土化(地點用返hk,架空或奇幻似乎唔係好受),甜故或驚悚題材。
女性向:覺得女仔都係睇返傳統言情小說,變化好似唔多(我覺得無論總裁小說同穿越轉生言小本質都差唔多)(似乎無特別鐘意睇返香港作者,台灣書大陸書都對胃)。
金庸、衞斯理係咪無以前咁多人睇?
男仔我就吾知(身邊比較少男仔睇書