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你們 寫小說快樂嗎(違刪)
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Nox C
#14
通常最快樂是天馬行空構思故事還有寫大綱。每次開始鑽研細節,對白、場景、描述等東西的時候就是痛苦的開始。卡劇情方面還好,有寫大綱的話大致上也知道劇情走向,只是要想辦法把每個「場口」連貫起來的時候最痛苦
2 years ago
白兔貓
我也是對於【每個「場口」連貫起來的時候最痛苦】,常常想破頭都無法好好地連起。
2 years ago
Nox C
@白兔貓, 你結果用了什麼方法吧不同的「場口」連貫在一起?
2 years ago
白兔貓
@Nox C,
當故事不斷往前延續時,我經常會面臨到某些部分是「一段」、「一段」的感覺。
這時我會試著思考使用幾個方式來連結:
一、時間,我會將上一段與下一段利用時間串連起來,使它看起來能夠「自然」的接過去。
二、中間刻意加入幾行「多餘的敘述(原本故事想要呈現的方向)」,然後重複閱讀整個文章(或一篇),修正兩段的前後方的描述或要表達的詞句,讓故事看起來不會很突兀的進入下一段,再把「多餘的敘述」刪除。
三、搬動段落,我發現自己的故事有時候會產生一段一段沒辦法連結起來,是因為段落(或某幾行敘述)位置放錯了,無論如何想破頭連結,故事就是不順暢,因此嘗試調整段落移動,故事就變得順暢許多。
2 years ago
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當故事不斷往前延續時,我經常會面臨到某些部分是「一段」、「一段」的感覺。
這時我會試著思考使用幾個方式來連結:
一、時間,我會將上一段與下一段利用時間串連起來,使它看起來能夠「自然」的接過去。
二、中間刻意加入幾行「多餘的敘述(原本故事想要呈現的方向)」,然後重複閱讀整個文章(或一篇),修正兩段的前後方的描述或要表達的詞句,讓故事看起來不會很突兀的進入下一段,再把「多餘的敘述」刪除。
三、搬動段落,我發現自己的故事有時候會產生一段一段沒辦法連結起來,是因為段落(或某幾行敘述)位置放錯了,無論如何想破頭連結,故事就是不順暢,因此嘗試調整段落移動,故事就變得順暢許多。