U &amp; I

[Side profile of two people looking at each other. one is inside (I) and the other is outside (U). There is a half open/closed door between them. This shot lasts 10 seconds and is the only side profile shot like this. The angles following are to be straight on profiles of characters.]131Please respect copyright.ＰＥＮＡＮＡAHHhTcxWNT

U:131Please respect copyright.ＰＥＮＡＮＡUbI12XxDUj

I'm going away, alas, I will come back in again. I can and will come back in again.

Why don't you stay at home near me? There aren't any facets to occupy yourself out there. Here, there would be so much to do.

U:131Please respect copyright.ＰＥＮＡＮＡS6FCI4FPgB

Inside isn't right. I can't describe why, only that it isn't right for me. In the streets I might at least find activity in pissing off the homeless or some great scandal to be had, where here there is nothing special.

Then, when you're gone, you'd do well to stay gone. As there's not a reason to stay home by me now, there's no doubt surely that there won't ever anymore be reason to stay home. Now, you have no home.

U:131Please respect copyright.ＰＥＮＡＮＡnYHkTtRtkt

Maybe I will. Maybe this is the only thing that I can do. This is goodbye then: goodbye.

See you.

See y- . . . so long.

[I shuts the door on U in a wide shot. U remains standing in place. Hold for several seconds then cut. End.]131Please respect copyright.ＰＥＮＡＮＡc8AMfPyxbT

Note for actors: exact dialogue is important here. The key is in the letters not spoken. If an actor paraphrases they should be shot. Generosity as much as possible, both actors always present. While traditional hetero family roles may seem obvious, they shouldn't be taken. Be weird. Have fun. Love, mum. 131Please respect copyright.ＰＥＮＡＮＡqWU0Kxz1ep

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